Motion editing
at velocity.
KeyVelo is a marketplace for one AI editor, supervised by NYPTID Industries, still learning. Shorts and gaming clips, or long-form craft. Notes go to the editor in NChat; the recut comes back in the same thread.
Revisions stay unlimited until you approve the briefed cut. A change of direction is a new brief. Footage may train this editor unless you opt out, which never changes the price.
- Starter Batch
- 10 Shorts in 48 hrs
- Typical turnaround
- 5-7 days
- Rush available
- 24 hrs
Frankly, many people have offered samples like you are doing. Yours is the nicest and you have had the clearest communication, too.
10 Shorts, each judged ready to post, in 48 hours
The Starter Batch is $250, paid once. If one episode doesn't hold 10 standalone moments, we cut the rest from another of your episodes at no extra cost. The full $250 counts toward your first month if you start a retainer within 30 days.
Pay $250 on Stripe
Ten Shorts, each judged ready to post. No account, no call, no contract.
Send the episode
Reply to your Stripe receipt or email support@keyvelo.com with the video file as a Google Drive or Dropbox link. A YouTube link works too, but may come back as captioned vertical over a still or wide frame.
Ten Shorts in 48 hours
Vertical, captioned, each 60 seconds or less, framed on whoever is talking from your video file. Notes come back as recuts.
Refunds, in plain words
- Cancel before we start cutting and you get a full refund.
- If the Shorts do not beat your current Shorts median views within 2 weeks of posting, you get a full refund of that payment. The benchmark is agreed with you in writing before we start.
No account needed. After paying, reply to your Stripe receipt or email support@keyvelo.com with the video file as a Google Drive or Dropbox link (a YouTube link also works).
A 17 second Short that held 92%
We run our own clip channels and cut every Short on them the same way we cut yours. The number on each tile is how much of it viewers watched on average, from YouTube Analytics.
Measured 1 October 2026 on ByronClips, a channel we run. The source of each clip is named on its tile. These are our channels, not client results.
Built for pace
Short-form batches, long-form YouTube, ads and VSLs. Rush turnarounds when the drop date will not move.
Talk to the editor in NChat
No ticket queue and no account manager. Notes go straight to whoever is cutting, and the recut comes back in the same thread.
Linked to your channel
Connect YouTube and the editor sees your formats, pacing and back catalogue before the first cut, not after the first round of notes.
Recent work
Samples made to show the style, labelled as samples. Not client work, and nothing here pretends to be.
Ridddle · LIGO measured a change smaller than a proton
sample · UNAFFILIATED · Jessie craft demo. A 59-second science Short re-cut from Ridddle's 19-minute "What Space Really Sounds Like", built around one fact: in LIGO's first detection in 2015, its two arms changed length by only about four quintillionths of a meter, roughly 1/200th of the diameter of a proton. It opens on that number over the real 4 km detector arm, then rewinds to what caused it: two black holes spiraling together and merging, gravitational waves rippling out across spacetime, and the two L-shaped observatories in Washington and Louisiana. An interferometer diagram shows one arm stretching while the other squeezes. Then you hear the real chirp over the actual Hanford and Livingston signal plot, followed by three suns' worth of mass turning into gravitational waves, and it closes on the ripple's 1.3-billion-year trip to reach us. The narration is reordered so the payoff comes first, B-roll is re-timed to each line (merger on "merge", the sun on "sun's worth", the aerial shots on the two states), and word-synced captions run throughout. Cuts sit on measured audio minima, with a warm-high, cool-shadow grade, fine grain and -14 LUFS loudness. Not affiliated with or commissioned by Ridddle or LIGO; original footage © Ridddle. Still learning, with unlimited revisions.
Made to show the style; not client work.
Ridddle · Dead TV static hides the Big Bang
sample · UNAFFILIATED · Jessie craft demo. A 59-second science Short re-cut from Ridddle's 19-minute "What Space Really Sounds Like", built around one surprising fact: about 1% of the snow on a dead TV channel is light left over from the early universe. It cold-opens on that line over real TV static, then tells the 1964 Bell Labs story of Arno Penzias and Robert Wilson chasing a noise that wouldn't quit (even scrubbing pigeon droppings out of the antenna) before realizing they had found the cosmic microwave background. It closes on the afterglow of everything. The narration is reordered so the payoff is the hook, B-roll is re-timed so the dead-channel lines play over a CRT gamer and static and the radiation line plays over the Planck sky map, archival photos sit in fitted bands so both scientists stay in frame, and word-synced captions run throughout. Cuts sit on measured audio minima, with a warm-high, cool-shadow grade, fine grain and -14 LUFS loudness. Not affiliated with or commissioned by Ridddle; original footage © Ridddle. Still learning, with unlimited revisions.
Made to show the style; not client work.
Lume · Nobody starts from an empty place
sample · UNAFFILIATED · Jessie craft demo. A 59-second Short re-cut from Lume's 57-minute video essay, taken from the chapter "So What Is a Copy?" and built around one idea: nobody starts from an empty place. It opens on the question (is it copying or learning?), then walks three exhibits: Van Gogh repainting Millet from black-and-white prints and calling it translating, Tarantino taking the Reservoir Dogs ending from City on Fire and the yellow tracksuit from Bruce Lee, and Hollywood's Save the Cat beat sheet. It lands on the line "There is no empty place." The narration is reordered so the thesis is the cold open and the closing card. B-roll is re-timed so the formula line plays over the matching poster comparisons, each shot is reframed for 9:16 with tall crops on portraits and fitted bands on side-by-side comparisons, and word-synced captions run throughout. Cuts sit on measured audio minima, with a warm-high, cool-shadow grade, fine grain and -14 LUFS loudness. Not affiliated with or commissioned by Lume; original video-essay footage © Lume. Still learning, with unlimited revisions.
Made to show the style; not client work.
fern · How Donnie Brasco fooled the mob by selling
sample · UNAFFILIATED · Jessie craft demo. A 56-second Short re-cut from fern's 51-minute documentary on FBI agent Joe Pistone, built around one idea: the mob knows undercover cops always buy and never sell, so Donnie sells. He hands the bartender a pouch of FBI-supplied jewelry, names his price, and when the offer comes back low he takes it back instead of lowering it, because no real jewel thief would. The payoff lands on the message: he wasn't selling jewelry, he was selling credibility. Story-first beat cards carry the rule, the ask and the test; word-synced captions run on narration and step aside when fern's in-game dialogue boxes speak; each shot is reframed for 9:16 (tall crops on faces, fitted bands so dialogue boxes stay whole); cuts sit on measured audio minima with soft fades; light cool-shadow grade and -14 LUFS loudness. Not affiliated with or commissioned by fern; original documentary footage © fern. Still learning, with unlimited revisions.
Made to show the style; not client work.
Jack Neel × Connor Leahy · Why AI billionaires build bunkers
sample · UNAFFILIATED · Jessie craft demo. A 45-second Short re-cut from Jack Neel's nearly two-hour interview with AI safety researcher Connor Leahy, built claim-first: an ex-Google insider says AI CEOs are building bunkers, Jack asks the man who has had dinner with them, and Connor flips it: the bunkers are not for the AI, they fear the public, because no bunker hides you from superintelligence, any more than an ant can hide from the entire US military. It closes on his ask: 'we have to stop them.' Cuts sit on measured pauses, a dead-air beat is removed with a punch-in, each shot is reframed for 9:16 with face tracking, lower-thirds name every speaker, word-synced beat cards carry the argument, captions are checked against the audio, and loudness sits at -14 LUFS. Not affiliated with or commissioned by the Jack Neel Podcast or Connor Leahy; original footage © Jack Neel Podcast. Still learning, with unlimited revisions.
Made to show the style; not client work.
fern · Antwerp's 15-year-old coke runners
sample · UNAFFILIATED · Jessie craft demo. A 54-second Short re-cut from fern's 22-minute documentary on Europe's cocaine trade, built story-first: Johnny, 15, is recruited as a 'uithaler' (coke runner) at the Port of Antwerp, the job is laid out in three word-synced steps, then the stakes land with the 44-ton seizure stat and 'one wrong move and it's game over'. The opening card names the place and the stakes in the first second. The 2.35:1 cinema footage is reframed for 9:16 per shot: tall bands with gentle pans for faces, fitted bands for maps and data graphics so fern's own on-screen text stays whole. Sponsor reads are removed, narration cuts are snapped to natural pauses, word-follow captions are checked against the audio, the grade is a light premium cool/warm balance, and loudness sits at -14 LUFS. Not affiliated with or commissioned by fern; original footage © fern. Still learning, with unlimited revisions.
Made to show the style; not client work.
Three steps, no agency in the middle
Brief it
Pick a package or fill the two-page custom brief. Length, style, references, what to avoid. You get a priced quote with every line item broken out.
Watch it come back
Footage goes up, the edit gets cut. First pass lands inside the agreed turnaround with the project already colour-managed.
Push notes until it lands
Timestamped notes in NChat. The editor is still learning, so revisions stay unlimited until you approve the briefed cut. A change of direction is a new brief.
No hidden numbers
Monthly plans from $900 a month for Shorts from every episode, or Full Growth with thumbnails and titles for $3,000 a month. Start with 10 Shorts for $250, each judged ready to post: the full amount counts toward your first month if you start a plan within 30 days. Custom work is quoted. Revisions stay unlimited.
Send the footage. Get the cut back.
Build a quote in two minutes. Nothing is charged until you approve the number.
An AI editor, supervised by NYPTID Industries, still learning. Notes go to the editor in NChat; the recut comes back in the same thread. Revisions stay unlimited until you approve the briefed cut. A change of direction is a new brief. Footage may train this editor unless you opt out, which never changes the price.